‘The poet’s truth’: Or why it’s the big picture that matters in a Big Picture

This post was written just after the 2013 Oscar announcement Three of the films up for best picture in this year’s Oscars were re-creations of actual historical events, from the 19th century bio-epic Lincoln, to the tracking and capture of Osama bin Laden in Zero Dark Thirty, to Ben Affleck’s Argo, which dramatized the plan to rescue sixContinue reading “‘The poet’s truth’: Or why it’s the big picture that matters in a Big Picture”